Skip to main content

Trumpet Soloist on the rise!

Yes, it is official! I have moved to Bridgeport, Connecticut, if you don't already know. In addition to starting a new teaching studio in the area I will be launching, very soon, a kickstarter fundraiser to fund my new CD. The CD will be of music I performed on my two previous recitals, with plans to record at WGBH studios in Boston. Any addition funds that go past my projected costs will go towards launching my solo career.

This is an exciting new stage in my career as I focus on recital and master class tours around the country. I will also be looking for Orchestra and Wind Ensemble soloist opportunities. I'm hoping to present a trumpet presence that isn't the same old standards. No Haydn trumpet concerto! I'm hoping to find Orchestras interested in performing the John Addison Concerto, that was premiered by Leon Rapier (my teacher) many years ago and has been lost in the repertoire loop. It is a wonderful piece that showcases the lyrical ability as well as the technique of the trumpet.

So, stay tuned!! Let me know if you are connected to a University music school and would like to discuss my coming to perform and work with your students. If you are involved with a chamber music series please consider my program as it focuses on the trumpet as a blending, balanced chamber instrument. All the pieces on the program are written specifically for the instrumentation presented.

I also do other programs as well, so don't hesitate to contact me to discuss your needs. This is an exciting new time for the classical musician to be creative and step beyond what is expected of us. I hope to see you all on my travels!!

Comments

Popular posts from this blog

Review of the New Bach C Trumpets and Eb

Just had a chance to try the new line of Bach Artisan C trumpets as well as the "Philly" and "Chicago" C trumpets. For me, the "Philly" C was great. I loved the response, flexibility, intonation, and sound of all the C's I tried. The "Chicago" model was quite good as well, but was a bit more zippy for me. Both instruments were close in feel and response. I preferred the "Philly" model. Very nice horn! I was quite surprised to find I didn't like the Artisan Model. It was a good horn with nice color, but I felt the flexibility was a bit stiff, and the sound was good, but different enough for me to prefer the "Philly" sound. I felt there were some standard intonation issues that didn't work so well for me. Unfortunately, I didn't get to try a silver plated one as someone bought it before the day began. Jury is still out for me on this. But, I can't imagine the flexibility issues (for me) will change on the s...

Instinct response part IV

I have an adult student who is a thoracic doc with whom I have great conversations about breathing.  Teaching him has helped me really define, verbally, control of proper air flow for trumpet playing so there isn't a contradiction between medical functionality and teacher description.  He has such an understanding of function of the lungs that he processes what I describe through his thorough lens.  With all my students I do my best to avoid too much technical vocabulary and keep things simple and easy to understand with my vast wardrobe of analogies. Vincent Penzarella has said it best, "Exhalation is inhalation without hesitation".  Now, this is an advanced concept, so although my students hear me say this, I give lots of examples of what this means.  For years I did not breath deep enough and move my air fast enough and still sounded decent.   Having a deep understanding of the importance of a very deep, relaxed inhalation and pushing out my exhalation...